Notes from
Show #7
General Notes
-Check your
mic positions—we had a lot of people brushing their mics with jackets,
clothing, etc. Also, be aware of your
mic and do not rub up against anyone in that area where it is positioned:
·
Factory
Girl – be sure not to rub against foreman
·
JT
and Nathan – check your mics and positioning as you take and move around your
jackets, etc…nathan we are getting this a lot in second act…we had to kill your
mic 3x so far out of 7 shows—have we looked at your lapel—check with sound…or
be very careful.
·
Chain
gain – we noticed a lot of popping and rubbing noises on mics.
·
Eponine/marius
– be careful during the death scene and pressing your mic against marius chest,
etc.
Transitions
in general were slower than normal—work under control, but with pace…especially
Inn, Docks, Rue
Energy level
were low on all group songs – need way more power, energy at all times.
We had to turn up volume tonight to compensate. Voices should be rested
and you should be ready from the opening.
Be in
character—saw some character breaks.
Everyone be
aware of overly dramaticadlibs/movements during solos, 2 characters in a moment—during scenes
and during transitions (harder because we know you are trying to get out of
there, but try to be just more aware like we did during the hospital bed and
waiting for the bed to be in place and not standing in spot areas
Principals -
Be more aware of your spots/staying in
light.
Vocals/Music - everyone please review lines at all times –
also please be less muddy and be more exact/precise today. Diction, Diction,
Diction..was tough today.
Prologue
Chain gang Solos
hit center – time it out better
Chain gang –
do not hit curtain—please move rope off curtain.
Talking –
cannot talk in line and backstage mic is hot – cannot talk
Angela – do not
anticpate your reaction to yellow ticket
Matt – more of
a wind up when hitting JVJ – also pull your hair back or fit the hat better on
your head
Fong – don’t
life JVJ until “Ihave raised you out of darkness”
General: -
freeze behind curtain – we can see ppl moving, especially during cross…should
not be near light. Please stay away from
factory set pieces until it is time to position for transition and be careful
as you do as movement can be scene
Factory
You guys
kick off the main part of the show – let’s rock it out—really be dramatic and
strong in vocals—we kick the show off here
Scott do not
jump stairs too early behind curtain….
Brendis –
missed look up on foreman
Joey –
pitches, especially when you first come in—awknowledge JVJ when he tells you to
sort this out, wactch aggressiveness…little too angry as foreman—be more
slimey..need to vary your anger/aggressiveness from Pimp.
Factory
Singers – seemed a bit off or behind music…this is a big opening, so please be
on mark with the music—same backstage.
Morgan/Nathan
– do not exit center as factory trans to docks..
Docks
Transition
was too loud—also heard the thumping of the bridge units being set down—please practice
this—you have been instructed how to let these things down and lift up—we should
not hear thumps and the snapping of
these levers..rather have it deliberate and more controlled. The scene transition was slow, so should have
been quiet.
Jennifer –
diction Paid, apart, cannot…also watch pitches as you climb shame ladder.
Lovely
ladies – more dramatic on 1st round of stings..snap it
Bethan –
turn further DS on 1st set of stings
Monica – be more
seductive in your voice when talking to Jen
Amelia – do not
pull up skirt…
Red Shawl?
Taylor/Matt –
come in after music que for Police – came in a bit too earyly
Cameron
Scott – tone down perform bit during Jen song w JVJ
Brandon – do
not anticpate cart..your scream and fall has to be as cart touches you…
Taylor- be
careful of pacing – especially in cart scene…hold your position as it is way
more authoritative and dramatic—did love the look look back to JVJ as you left!
Jen – great death
Inn
Laura –
sweep yellow ticket – remember to watch your broom on mic
Laura – best
solo so far.
Tranisition Tyler
– gotta say it – bench :-0..thank you Josh…work with Steph on why this is
happening—should not and cannot happen again
Becky – be
more on the que with your line and hit Neil on “god this place”
Harry – don’t
push on “fly through”—after gazelle leap
look out.
Lisa/Harry –
love bird
Harry – step
DC “all the bits and pieces…” from kitchen instead of to bench/table area..need
to see you in the light
Guests –
seemed toned down—you are having a party
at the Inn…need way more energy from the start and need to be on your ques
Lisa – love body
language and posture
Harry/Lisa –
look at each other and have a moment of realization before you start laughing
in bargain
H – great “what
to do..”
H – cannot say
cosette or remarkable place
H – pull pants
higher
Beggars
Transition Joey
and Justin – stand behind benches or look busy…..stay away from area around Lil
Cosette and JVJ if you can. I know you
are waiting, but try to cover it
Meredith –
diction on “I know what you give…”
Ben – great sound
on arise
Gav – your standing
straight up and – recall Michael working with you on your posture and being in
a more aggressive position. Watch shoulders—be tighter with arms andshoulders…Michael
can work w you again for tomorrow night.
We lose some of your boyness after a week off…bring that back.
Ep – stay in
light during thebeggars – “little you know”
Cameron – don’t
shake during ep/marius first meeting—I like it otherwise—
Harry –
watch the your volume level and voice screamy during beggars..
Harry – too “Mammy
during “me I told you so…”
Kelly – good
job on stairs
Taylor –
diction on “Dark”
Gavroche –
look out into the audience on “that inspector” – do not look back at him..use
your thumb to refer to him but keeping your head forward and tell this story to
the audience—be more aggressive – this your town not his! this is a repeat
note.
Nicole—yes on
Ponine
ABC
Ben – could not
see your singing—facing all the way US
You also
have to wait for student yelling to die off on “Marius your late”—do not jump
it..
Ben – you are
no longer a child—diction, song-diction…not hitting top notes?
Scott – get with
costumes and check your sleeves ony our jacket or give one roll up or have her
tuck and pin?
Rue
Cosette –
stay in light when you step on stage.
Heart full –
love it—best of night…best of run.
Awesome
tension during attack in general – gang I
want that—really be big in your lines, movements, aggressiveness…great job….diction
really makes a difference because you are not miced….it worked tonight..
H – do not
lose clarity in your lines…when you get aggressive we lose some of it.
One day more
March
section-Center group to spread out—need to review…
In general –
I saw some characters not popping out -
Act II
Nicole on
own was spectacular
Barricade
build/deconstruct.
Good job on
being quiet during her song—at first it is loud—you need to be aware that you
have time and all movement should be deliberate and err on the side of slow
during this scene…also, foot traffic at the beginning is loud as everyone comes
on stage…please pick feet up and walk softly..do not shuffle and no heavy
feet..again you have 4 minutes to get it done..rather have you take up 3:30 and
move deliberate and slow and get out v 2 minutes and be fast
Students – “now
we pledge ourselves—check that
Gav – take hat
off as soon as you climbe over the barricade during beggar…keep in hand, but
take off please – repeat note
Kelly – tone
down movement during ep dying
Little fall –
nice, be careful on mics and death snuggles :_)
Matt/Sam –
please work on the ep carry – repeat note – life legs together..look at each
other and do inunison
Scott –
watch pants—do not get them caught in the tops of shoes in back—make sense?
Students –
watch 2 stings while JVJ is releasing javert – need it bigger and sharper
Kelly – tone
down laughing over the other singing…before you sing in drink with me
All – tone down
movement as soon as you hear the bring him home music start…freeze prior not
rushing to freeze….before he sings.
Eric –gorgeous
song.
Gav - get your head up – do not look down and
struggle a bit more over bench….once you are over there is no place to go make
it look that way and keep head up at all times…good death fall and catch J
Students –
bigger death stretches with arms before fall and deaths…need to be more
dramatic..not aggressive but dramatic and elegant..make sense?
Sewers
JVJ
acknowledge when you hear harry coming – as if oh no someone is coming…get
marius down sooner so this can happen.
Taylor
great.
Turning –
good job ladies
Sam –
control movement as you movealive to empty chairs…less clunky?
All – review
steps…some too early-gav and some too far away – matt..just synch it preshow
Wedding
Need to work
on music/vocals – off a bit…..
Epilogue
Move slower
across stage…
Monica lets
move table faster – change.
Peyton/Annalise
Do not step
in group against each other J work together on steps during “do
you hear”
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